Once the quilt top was done, I took it to work to get the team to sign it with messages of hope and encouragement. If you look closely at the above picture, you can see some handwriting on the quilt.
Then I had to figure out what to do for backing and binding. I was planning on going into the city to find something, but started looking through my stash, and found this.
And there was enough for a backing! Frankly, I think the backing is prettier than the quilt top.
Mystery assisted with cutting the batting. Actually, he hindered rather than helped, sitting right on the cutting line.
I would have liked to quilt with a tulip pantograph if I had one. Then I remembered that I had a pantograph with hummingbirds, called Columbines with Hummingbirds, by Deb Geissler. It comes with two borders - one of columbines alone, and one of hummingbirds alone. But with both borders, it made the pantograph so wide that it didn't fit my pantograph shelf. So, I cut it apart, with the 2 borders in one piece and the main pantograph in the other.
Mystery assisted with cutting the batting. Actually, he hindered rather than helped, sitting right on the cutting line.
I would have liked to quilt with a tulip pantograph if I had one. Then I remembered that I had a pantograph with hummingbirds, called Columbines with Hummingbirds, by Deb Geissler. It comes with two borders - one of columbines alone, and one of hummingbirds alone. But with both borders, it made the pantograph so wide that it didn't fit my pantograph shelf. So, I cut it apart, with the 2 borders in one piece and the main pantograph in the other.
I was a little concerned as to how the hummingbirds would turn out, but was quite pleased.
And here is one of the columbines.
Now that it's quilted and bound, I'm feeling better about it. Although it is still a nacho quilt.
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